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We have come to the final month of Bingo or in long and full words, HTG’S 2012 SUMMER REVIEW EXTRAVAGANZA!!! [Click for the event thread] Some of the limited prizes are off the shelves but there are still many things to grab, not to mention many of the grand prizes are still there, ranging from free mansion 100M to make a film independently. One might feel like they don’t have enough time to do it all but still, one can finish a few lines and still grab some of the prizes.

To make the journey much easier for you all, Mr. G has compiled a little guide on the bingo:

Color: Slot Tier
First, let’s talk about tiers. While there are 25 slots in a bingo, not every slot has the same amount of usage. If you are not sure which slot to fill, consider filling the higher tiers first. Some explanation on the tiers:

Tier 1: Red
Tier 1 consists of slots that can chain up to three lines – horizontal, vertical and diagonal. Since they can chain up to the most lines so you have more branches to expand on later on.

Tier 2: Yellow
Since the center slot of this one is a free slot, one can fill up a complete line (that is supposed to take 5 slots) by doing the work of 4 slots.

Tier 3: Green
Green is the last tier, they are the least useful of all slots but still, they are needed to complete some lines.

If you only plan to complete a few lines, consider the lines with red and yellow first since the complete lines are easier to complete and it allows you to have more branches if you still have time to play on.

Star: Slot Difficulty
Some tiers are more challenging than others so I use a star system to represent the difficulty in my own opinion. I do understand that everyone probably has their own opinions, but this is just a generic difficulty for reference. The stars are rated based largely on time to review (longer film = more time), availability/rarity of the eligible films and difficulty to search:

1 Star

  • Original film – Any original film will do. Plenty of choices, no extra brain juice needed.
  • Franchise film – Similar to original film.
  • Less than 40 pages – If you can’t even bother to complete this, don’t play this Bingo.
  • Out of Theaters – Tons of film to choose from. Not all are available but still, a wide range of choice.

2 Stars

  • In Theaters – Still plenty of choices but limited at the same time.
  • Opening Week (1st slot) – Easy to find but limited choices.
  • Female Lead – Thanks to Kaitlynn (Halliwell Productions) there are plenty of choices out there.
  • Two Reviews 24 Hours – The good thing is any film is fine, the bad thing is you need to review 2 instead of 1. You can hold up your reviews and submit them at the same time so the 24 hours isn’t that much of a problem.
  • Longer Than 90 Pages – Easy, a lot of choices but take some time to read.

3 Stars

  • Release before 2010 – A little harder to find those still available and ones that you are really interested in. The forum do have a few threads of recommendation for this.
  • Sequel – Limited and not all are available.
  • Has cameo – Need to find out yourself which film has cameo.
  • Female director – Not as many as “Female Lead”. Here’s a list to help you out: Kathryn Bigelow, Lexi Alexander, Sofia Coppola, Amy Heckerling, Christine Jeffs, Miranda July, Hettie MacDonald, Julie Taymor.
  • Producer’s First film – Not hard to find out by searching through the filmography of each producer, but not all are available and their first film might not be something you are very interested in.
  • 2 or fewer reviews (in theater) – A rarer/harder version of the two star’s “In Theaters” slot.
  • Opening Week (2nd slot) – You need one more for this slot, so I guess it’s more limited amount of choices, especially consider that there’s only 4 weeks of release to go.

4 Stars

  • First Review – Not easy to find. You might as well bank on a new release rathe than looking for old one. Although I can say that there are some out there, try Pedro (Baseball Mogul Productions)’s films first.
  • 2 or Fewer Reviews (Out of Theater) – A much rarer/harder version of the one star’s “Out of Theater”. Why the huge jump of difficulty? The main reason is that most of the films out of theaters already have more than 3 reviews. Again, try Pedro’s films first.
  • Has Soundtrack – It’s similar to “Has Cameo” except it’s rarer from what I see so far. Much easier if you are a musical fan though.

5 stars

  • Top 20 on Critic Corner – Many are not available, leaving you with only a few choices. Majority of them are full releases so you need more time to read. The good thing is that they are freaking good.
  • Yoda Best Picture Winner – Similar to “Top 20″, lack of choices (I think only 3 or 4 scripts are still available) and takes time to read.
  • Five Point Review – Not very easy to get 5 points in a review, I can assure you this. Also, only films still in theater can get you five points so this is like the nightmare mode of “In Theater”. I think you can ask the critic rating judges whether one particular review of yours is 5 stars or not. CzarTim did help me on this one.
  • Pre-screen A Film – Opportunity to pre-screen doesn’t come too much. Also, limited choice. You can ask producers to pre-screen their films.

Tips

  • If you have a film review that can be used on multiple slots, always go for the harder one first.
  • If you are aiming only for a few lines, pre-plan a few films to review. Set a target and achieve it.
  • Consider what slots a film can fill instead of simply putting it in an easy slot.
  • If you are confident that you can complete many lines, my personal way is to just read like 10+ films first without thinking about the slots, and then plan where to put each one when you are done. After that, fill in the remaining fields.
  • Try to save 1 or 2 of your best reviews for the 5 point review slot before putting them into another slot.
  • The easiest line is probably the left-to-right diagonal line, consists of Original Film, In Theaters, 2 or Fewer Reviews (In Theater) and Longer Than 90 Pages.

Without player’s contribution in the form of reviews, this game would not be as much fun, so please consider reviewing some films and earn extra prizes at the same time. It is a win-win situation. Here’s hoping that we can have more Bingo players before the end of the event and more importantly, have fun!


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Rogue Net is in the process of some big casting changes for its hit returning series. Session 13 is coming up quickly and Rogue Net is pleased to announce that production has begun on returning favorite Monster and the show will be featuring some new cast members.

Monster, the acclaimed series from drejr29 (Hybrid, Stop Kiss) and based on the manga of the same name, is radically retooling its cast as it prepares to go into its second season. A personal favorite series of Rogue Net chief Quantum, the show struggled to find its footing initially, but saw ratings growth that landed it a second season order. The show is dumping a lot of its first season cast which included Michael Ealy, Chris Pratt, Devon Sawa, Richard Schiff, Chase Wright Vanek, and Amy Walton; however, though a few managed to find there way to death’s door in the first season, it is rumored that some will be returning in guest/recurring capacity. However, as those cast members are being let go they’re making way for new additions. Performing alongside stars Will Estes (who picked up a Best Actor Sully nomination) and Bryce Dallas Howard will be:

Saoirse Ronan (Atonement) will be taking over the role of Rebecca Ashford, who was portrayed in the first season by Amy Walton, the show is making a bit of a time jump, jumping ahead several years from the first season finale. Her character is being described as “dark and complex” as she deals with the trauma that she experienced when she was younger. Saoirse Ronan beat out a lot of actresses for the role, including Dakota Fanning (X) and Jodelle Ferland (The Suicide Hand Guide) for the part.

Joining Ronan is Jack Gleeson who will be making his HTG debut as an older Daniel Ashford. He is taking over the role from Chase Wright Vanek, who played the part during season 1. The older Daniel Ashford, much like his twin sister, is still dealing with the trauma he experienced. However, unlike his sister, Daniel has fallen into sinister territory as he begins to show signs of sociopathic behavior which could pose a danger to those around him. The part, like that of Rebecca Ashford, was also highly coveted for younger actors as Gleeson, the son of legendary actor Brendan Gleeson beat out the likes of Anton Yelchin (Sheriff Pro Tempore) and Alexander Gould (Beyond Redemption) for the role.

The final new cast member to join the production of Monster‘s second season in a regular role is Matthew Del Negro (LA Noire 3) who is being upped from his guest appearance in the season finale episode “Consequences: Part II” in the role of Special Agent David Holcomb. Initially believed to be a recurring part, drejr29 and Rogue Net believed his character’s storyline would take up more screen time then expected and the decision was made to promote him. When that decision was made, there were rumors circulating that the part may be recast with a more known name, and rumored actors considered for the recast included Jon Bernthal (Reunion), Gabriel Macht (Bad Hare), and Dominic West (Atlantis), but it was ultimately decided that Matthew Del Negro had done an adequate enough job not to be recast.

The cast is being led by series director James Wan who will be taking the helm of the show during the second season. The first season saw a series of guest directors which included Walter Hill (Marty Robins Gunfighter Ballads and Trail Songs) and James Wan himself. It was rumored initially that DJ Caruso had been selected for the job but those rumors were proven false as DJ Caruso is rumored to be circling the director’s gig of an unnamed Lake Hope Features film.

The second season of Monster premieres during Session 13 which is rumored to begin in September. Stay tuned for more information as more casting information is unveiled about Rogue Net TV shows.


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We spotlighted the cast of All Fall Down this past week [See: All Fall Down This Friday], but now we have some tough news for people who were looking forward to the buzz worthy crime drama- it has been pulled from theaters and rescheduled for mid-August. The studio faulted projectors and a digital file that was not working through the weekend. People showed up for the movie, but no one at the theaters could get it to actually play.

“With all of the constantly changing technologies,” a local theater owner told us, “sometimes, we just can’t get the darn movies to show up on the screen. We called studio support and no one could get it to work. The only image that would go on the screen was an image of a flag. As you can imagine, we had to refund a lot of tickets. People were looking forward to seeing the movie. It has a bunch of HTG A-Listers. Oh well. Hopefully they come back in August.”

The weekend’s other release, The Apartment, came out with no problems. The arthouse movie’s producer, Lucian of Ship of Fooles Productions/Studio, has stated that he is working to expand the short film into a feature. Reviews will surely help as he works on the new draft.


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After taking a break during session 11, Rogue Net is proud to announce that its hit talk show The Process will be returning for at least four episodes during session 13 and the show will feature a few new additions both cast and format wise. The Process is a talk show that sees HTG Producers being interviewed about how they write and the process it takes for them to get ideas onto the page. A highly successful show which is both a ratings and critical darling, the series has been a hit since its debut during session 10.

The Process, the brainchild of Rogue Net chief Quantum, was a mainstay during the Community Block hayday but was shelved during session 12 when the 11 o’clock slot was replaced by a movie of a week block. It has resumed production on its third season. The series will see host Darren Aronofsky return with two new correspondents. As previously reported, Amber Riley will be taking over for India Arie as the Announcer/Performer of the show. Her position will be the same but she is not the only fresh face on set.

Amber Riley will be joined by fellow newbie, Shane Black (A Couple of Dicks), who will be the show’s officially moderator of a new segment that will be introduced in the show’s season three opener that is tentatively titled “The Roundtable.” The segment will see a variety of HTG Producers, likely two or three at a time, who will discuss an issue relative to the HTG experience. Depending on the success of the format and how it is received by the critics and viewers alike, it has been built into Shane’s contract that he could see himself the star of a spin off.

Currently, likely interviewees are being decided upon but viewers should expect for the unexpected when it comes to the subjects of each episode. As Rogue Net chief Quantum stated “We want to get the right story, at the right time, from the right [producer]. There’s a lot of colorful characters here and it is exciting for us to turn the camera on the producers here.” Though there is one thing that Quantum has stated which is “Don’t expect somebody who has been reviewed to be reviewed again at this point. But could they make there way into a Roundtable segment? Who knows…”

The Process will debut its third season during session 13.


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A newcomer to the Hollywood scene, Anonemuss’ first review (a preview of Lucian’s The Apartment) didn’t say much, but it said it loud. A less-than-ringing endorsement (52/100) is certainly not what one would expect an established reviewer or filmmaker to offer this veteran, much less a newcomer, but Anonemuss, as this reporter learned, is not one to mince words, and he plays his cards as though his life were on the line and his heart on his sleeve. We got together over calamari to discuss his upcoming film, Society of Thieves; true to form, he didn’t say much, but what he did have to offer was very enlightening.

TIMES: How does it feel to be making your first film?

ANONEMUSS: I’m glad that Q [Quantum, Lake Hope Feature’s studio head] has taken a chance on me. Working with him is a thrill. I was happy to have the opportunity to take the first steps in my film career. The writing was a little rough, but in the end, I think everything turned out great, and I am excited.

TIMES: What made the writing tough for you?

ANONEMUSS: Well, I’d thought the idea through and everything, but it was my first film. Sometimes I got writer’s block.

TIMES: Writer’s block isn’t normally that big of an issue, for some writers anyway. Is this your first attempt at writing for film?

ANONEMUSS: Yes. I’ve written numerous stories before, but this is my first attempt at writing film.

TIMES: I understand then. The pressure of a first film is immense. Believe me, I know.

ANONEMUSS: Yeah; eventually, you just have to push on, and of course I finished it.

TIMES: Will any of the stories you mentioned find their way onto film here?

ANONEMUSS: I don’t think so; I’m primarily interested in writing Asian-style films, with the exception of Les Miserables.

TIMES: Do you generally prefer Asian films to domestic?

ANONEMUSS: Only if there’s action in it.

TIMES: I see. Based on your other recent franchise purchases, and the plot of this film, some would say you’re trying to introduce more elements of Asian cinema into Western filmmaking. How true would you say that assertion is?

ANONEMUSS: Well, I haven’t seen many films that are like Asian cinema around here, so I figured I’d better start writing a few. (Laughs) Not even claiming the higher ground of art or whatever, I feel that, thinking commercially, you’re 20,000 steps ahead of the game to start with if you’re doing something that no one else is doing. I just figure if there’s a market for it, at least you’re the only one. The fact is, this is such a damn huge country and world, there’s probably a market for anything.

TIMES:  Well, Society of Thieves is certainly different, and it definitely bears a trace of influence from Asian cinema. I notice that the film has some characters (the Axe Gang in particular) in common with the film Kung Fu Hustle. How related is Society of Thieves to that picture?

ANONEMUSS: I’m surprised you know Kung Fu Hustle, I was under the impression not that many people knew about it. (Laughs) Yes, the two gangs are named after the Kung Fu Hustle gangs [the feared Axe Gang, and their rivals the Crocodile Gang, who are wiped out at the beginning of Hustle], but that’s the only relation between the two films.

TIMES: Have you any plans to buy the Kung Fu Hustle franchise as well?

ANONEMUSS: I thought about Americanizing it, but Americans doing kung fu just doesn’t sound right.

TIMES: Americanizing it… is that what you’re doing with your other franchise purchase, A World Without Thieves? I noticed the similarity of the titles, and figured maybe you were making it part of a new original story.

ANONEMUSS: Yet again, no real relation. (Laughs) Andy Lau will be in both of them, but that’s about it.

TIMES: Speaking of Lau, I notice that this film is a Western debut for many of the Asian actors. Did they have any objections, or huge input into the picture? Were they interested in working on it?

ANONEMUSS: I’ll just say they were grateful for the chance to make their mark on the Western scene. As regards input… eh, not really.

TIMES: What was it like to work with Liam Neeson?

ANONEMUSS: (Silence)

TIMES: Okay… well, how about your other projects? What other Asian adaptations can we expect to see from you?

ANONEMUSS: Currently, I’m working on Let the Bullets Fly.

TIMES: Sounds like fun! Thanks for the chat.

ANONEMUSS: You bet!


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